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My work is rooted in nostalgia and process, where my initial thoughts originate.
I dedicate myself fully to my personal environment, recognising my existence and reinterpreting it as an autobiographical creative outlet, enabling a collision of lived experiences, thoughts, conversations, and impressions of everyday objects, which then translate into images and ultimately fine art prints.
There is a freedom in diminishing external influences.
Shutting out the ever-preset social forces, digital distractions, and time pressures to provide clarity and focus for a potentially amplified observation of the mundane. . Removing ingrained constructs became enabling, encouraging an alternative outlook.
This is a self-imposed real-time introspective.
Viewing objects and situations within this space gave rise to the potential of an alternative view; altering or alternating context created new perspectives, which in turn made surprising outcomes, which can then be utilised beyond the initial subject, this becomes a methodology.